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Kybele: Den Haag, MMW, 10 A 11 341v Book 7, 24 Cybele in a chariot drawn by lions self-castration of one the Galli, eunuch priests of Cybele 120x80. If you believe you should have access to that content, please contact your librarian.įor librarians and administrators, your personal account also provides access to institutional account management. English: A depiction of Origen’s self-castration. The institutional subscription may not cover the content that you are trying to access. Oxford Academic is home to a wide variety of products.
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#Medieval manuscripts with pictures of self castration pro
In 1589, Pope Sixtus V reorganized the choir of St Peter’s Basilica in Rome, explicitly including castrati in his bull Cum pro nostri temporali munere. In fact, they became essential after the Vatican banned women from church choirs in the mid-16th Century. Indeed, Italian church records from the 1550s provide the earliest known documentation, and by 1558 castrati were included in the choir of the Sistine Chapel. From the very outset, however, the Roman Catholic Church played a decisive role. This was an established feature in baroque and classical music, and prominent composers such as Handel (1685-1759) and Mozart (1756-1791) specifically wrote rôles for castrati into several operas and oratorios.
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With Italy as its epicentre, enthusiasm for musical performances of castrati prevailed for over three hundred years, beginning in the mid-16th Century and continuing until the early 1900s.
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